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By Jean-Luc Nancy

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MAE/SERDDAV. 1981. Jean Rouch: une rétrospective. Paris: Ministère des Affaires Etrangères. Mamber, Stephen. 1974. Cinema Verite in America: Studies in Uncontrolled Documentary. Cambridge: MIT Press. Marcorelles, Louis. 1973. Living Cinema. New York: Praeger. Marks, Laura U. 2000. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University Press. Marsolais, Gilles. 1974. L’aventure du cinémadirect. Paris: Éditions Seghers. Meyknecht, Steef, Dirk Nijland, and Joost Verhey.

1960b. ” Cahiers du Cinema 112: 1527. ———. 1960c. ” Bulletin de l’Institut Français d’Afrique Noir (Serie B: Sciences Humaines) 22 (34): 369–78. ———. 1968. ” In Ethnologie générale, Encyclopedie de la Pléiade Paris: Gallimard. ———. 1972. ” L’Avant-Scène 123: 3–52. ———. 1989. La religion et la magie Songhay. 2d ed. Brussels: Université de Brussels. Rouget, Gilbert. 1965. ” L’Homme 5 (2): 126–32. Ruby, Jay. 1980. ” Semiotica 30 (12): 153–79. ———. 2000. Picturing Culture: Explorations in Film and Anthropology.

Closing the collection is an updated filmography. In as many instances as possible, I have included annotations that are wholly or substantially Rouch’s own. The filmography is followed by a selective bibliography of Rouch’s most available writings. 22 STEVEN FELD ࡗ NOTES 1. For description and review, including the controversies raised by the film, see Muller 1971; Rouch 1960a; Stoller 1984, 1992, 145–60, 1995; Loizos 1993, 45–66; Ukadike 1994, 50–52; Gabriel 1982, 75–77; Russell 1999, 221–29.

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