A significant other to Martin Scorsese is a accomplished number of unique essays assessing the profession of 1 of America’s such a lot popular modern filmmakers.
Contains contributions from well-liked students in North the United States and Europe that use quite a few analytic approaches
Offers clean interpretations of a few of Scorsese’s such a lot influential motion pictures, together with suggest Streets, Taxi driving force, Raging Bull, Goodfellas, Gangs of latest York, and Hugo
Considers Scorsese's position in the historical past of yank and international cinema; his paintings in terms of auteur concept; using well known track and diverse issues akin to violence, ethnicity, faith, sexuality, gender, and race in his movies, and extra
Read Online or Download A Companion to Martin Scorsese (Wiley-Blackwell Companions to Film Directors) PDF
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Additional info for A Companion to Martin Scorsese (Wiley-Blackwell Companions to Film Directors)
This extends to Scorsese’s formal education in cinema. Across the United States in the 1960s, more and more children were attending university, including many who came from working-class backgrounds. At the same time, film programs were opening and expanding rapidly, as the 1960s explosion of world cinema created widespread demand in what was now considered the most important art form of the twentieth century. Scorsese entered New York University (NYU) in 1962 and eventually moved into the Film department, completing his master’s degree in 1966.
In addition, Christine Geraghty, writing in Movie, makes an argument for the use of style in the film as expressing the tensions inherent in the social situation, not unlike the use of style in classical melodrama: “There is, I think, a tension in the film between the emphasis on choice and freedom which is used to create Alice as a character and the control which the men represent. This tension is expressed in the mixing of styles in the film, the effect of which is to underplay the resolution of the narrative” (Geraghty, 1976: 42).
Jump Cut, 7: 7–9. Keyser, L. (1992) Martin Scorsese. New York: Twayne Publishers. P. (2000) A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman, Fincher. 3rd edn. New York: Oxford University Press. Kouvaros, G. : John Cassavetes and Cinema at the Breaking Point. Minneapolis, MN: University of Minnesota. B. (1985) A Certain Tendency of the Hollywood Cinema 1930–1980. Princeton, NJ: Princeton University Press. Riley, R. (2003) Film, Faith, and Cultural Conflict: The Case of Martin Scorsese’s “The Last Temptation of Christ”.