Download A Companion to Alfred Hitchcock (Wiley-Blackwell Companions by Thomas Leitch, Leland A. Poague PDF

By Thomas Leitch, Leland A. Poague

The main complete quantity ever released on Alfred Hitchcock, masking his profession and legacy in addition to the wider cultural and highbrow contexts of his work.<ul type="disc">* includes thirty chapters via the best Hitchcock students* Covers his lengthy profession, from his earliest contributions to different directors’ silent movies to his final uncompleted final movie* information the iconic legacy he left to filmmakers and audiences alike

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Extra info for A Companion to Alfred Hitchcock (Wiley-Blackwell Companions to Film Directors)

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MAE/SERDDAV. 1981. Jean Rouch: une rétrospective. Paris: Ministère des Affaires Etrangères. Mamber, Stephen. 1974. Cinema Verite in America: Studies in Uncontrolled Documentary. Cambridge: MIT Press. Marcorelles, Louis. 1973. Living Cinema. New York: Praeger. Marks, Laura U. 2000. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University Press. Marsolais, Gilles. 1974. L’aventure du cinémadirect. Paris: Éditions Seghers. Meyknecht, Steef, Dirk Nijland, and Joost Verhey.

1960b. ” Cahiers du Cinema 112: 1527. ———. 1960c. ” Bulletin de l’Institut Français d’Afrique Noir (Serie B: Sciences Humaines) 22 (34): 369–78. ———. 1968. ” In Ethnologie générale, Encyclopedie de la Pléiade Paris: Gallimard. ———. 1972. ” L’Avant-Scène 123: 3–52. ———. 1989. La religion et la magie Songhay. 2d ed. Brussels: Université de Brussels. Rouget, Gilbert. 1965. ” L’Homme 5 (2): 126–32. Ruby, Jay. 1980. ” Semiotica 30 (12): 153–79. ———. 2000. Picturing Culture: Explorations in Film and Anthropology.

Closing the collection is an updated filmography. In as many instances as possible, I have included annotations that are wholly or substantially Rouch’s own. The filmography is followed by a selective bibliography of Rouch’s most available writings. 22 STEVEN FELD ࡗ NOTES 1. For description and review, including the controversies raised by the film, see Muller 1971; Rouch 1960a; Stoller 1984, 1992, 145–60, 1995; Loizos 1993, 45–66; Ukadike 1994, 50–52; Gabriel 1982, 75–77; Russell 1999, 221–29.

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